Frédéric Chopin (1810–1849)
Prelude Op.28 No.7 sits in A major, moving in 3/4 under a Adagio marking. Hand positions stay close together and the rhythms are straightforward, so it works well within the first year or two of lessons.
Frédéric Chopin devoted virtually his entire output to the piano. His nocturnes, ballades, mazurkas, and études explored the instrument's singing tone, pedal effects, and rubato to their fullest.
Chopin calls for supple rubato, seamless finger legato, and generous pedalling. The heart of it is cantabile — using finger weight to make the melody genuinely sing.
| Piece | Prelude Op.28 No.7 |
| Composer | Frédéric Chopin |
| Difficulty | Beginner |
| Length | 17 bars |
| Time signature | 3/4 |
| Key | A major |
| Tempo | Adagio · 72 BPM |
| License | Public domain — free to use |
Try Practice Mode in the BeatNote editor — an interactive note-by-note walkthrough of this piece.